African music is no doubt the best music in the world if it is compared with the other music produced worldwide. Every country has its own traditional music line and has many artists in the form to make really good music for the viewer’s not only nationwide but also worldwide too. Music is something that truly makes your soul feel better and relaxed after listening too.
African Musical Traditions
Music is something very worthy for the Africans in order of religiousness, pleasure, feelings, and trance. Music and dance is the major culture of most of Africa. Music plays a vital role in African expressions either they are happy or sad. Music in Africa like Kwaito, kwela, Afrobeat, Taarab, Mbaqanga, Benga Music, and Marabi are such types of music that are most preferred and admired by African people. The expression of moods in African people is very much strong and also is much infused from certain factors including, regional impacts, cultural diversity, tribal backgrounds, and landmark setting goals. African music has a history of centuries of old traditions and religious blending.
Why Awesome Tapes
Awesome tapes are fully committed and adhered to represent the true soul of African music to the whole of the world. We at awesome tapes have the best ever most outstanding art collection of African music created by the best artists available on the globe.
African music is a piece of very rich music in terms of bliss, soulful impacts, and creativity which are the most admired properties of African music present till today. Awesome tapes have all of the famous and hard-hitting artists available onboard from the globe, who are the best representations of the true music.
Music is an integral part of the celebrations celebrated throughout Africa and tells the true story of the people who live there. Music plays an integral part in the life of the African people and also has attracted the whole world too. African music like Tigray songs, nokwazi songs, eyadini songs, Tswana songs, and many more in the list is made for the music lover people.
Music is not just a thing that is simply created and then forwarded to listen to. The best music must have the symphony of lyrics, beats, and expression of the true passions about the feelings and include the cultural aspects of the land in which that music is produced. Making music for representation includes so many of the traditions, strong emotions, and also of the best feelings are also involved in the creation of the music. African music is an acute blend of traditions mixed with feelings and observations. The words used in poetry and lyrics are many representations of the cultural aspects of the continent.
What Makes African Music So Much tempting?
It is widely acknowledged that African music has undergone frequent and decisive changes throughout the centuries. What is termed traditional music today is probably very different from African music in former times. Nor has African music in the past been rigidly linked to specific ethnic groups. The individual musician, his style and creativity, have always played an important role.
The material sources for the study of African music history include archaeological and other objects, pictorial sources (rock paintings, petroglyphs, book illustrations, drawings, paintings), oral historical sources, written sources (travelers’ accounts, field notes, inscriptions in Arabic and in African and European languages), musical notations, sound recordings, photographs and motion pictures, and videotape.
In ancient times the musical culture of sub-Saharan Africa extended into North Africa. Between circa 8000 and 3000 BC, climatic changes in the Sahara, with a marked wet trend, extended the flora and fauna of the savanna into the southern Sahara and its central highlands. During this period, human occupation of the Sahara greatly increased, and, along rivers and small lakes, Neolithic, or New Stone Age, cultures with a so-called aquatic lifestyle extended from Western Sahara into the Nile River valley. The aquatic cultures began to break up gradually between 5000 and 3000 BC, once the peak of the wet period had passed. The wet climate became more and more restricted to shrunken lakes and rivers and, to a greater extent, to the region of the upper Nile. Today remnants survive perhaps in the Lake Chad area and in the Nile swamps.
The cultures of the “Green Sahara” left behind a vast gallery of iconographic documents in the form of rock paintings, among which are some of the earliest internal sources of African music. One is a vivid dance scene discovered in 1956 by the French ethnologist Henri Lhote in the Tassili-n-Ajjer plateau of Algeria. Attributed on stylistic grounds to the Saharan period of the Neolithic hunters (c. 6000–4000 BC), this painting is probably one of the oldest testimonies to music and dance in Africa. The body adornment and movement style are reminiscent of dance styles still found in many African societies.
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Role of Musical Instruments in African Music
Music is no doubt takes a place of worship in Africa. Traditional music in Africa is like a worthy worship Avatar. African people like too much of the music they create or listen to. Music for them is something very much satisfying, creative, and very much important in every aspect of life and it also tells everything about their ancestors, worship methods, Gods, Deities, Lifestyles, and also about their ancient connections with their ancestors. But classic and soulful music can just only be played not with mouth and body parts, it needs different instruments also to fulfill the blissful needs of life.
African culture without music is not complete at any cost. African music like vovo gospel songs, puseletso seema songs, sechaba songs, atakak music, are a few types of music which are highly praised and appreciated in Africa. Music of Africa is the best-considered music in the world with its strong components and also its pats and symphony of the letters and sounds.
Years ago it was widely considered that African music was only based on drums and their beats, but it has been proved wrong over time. Musical instruments like Xhosa, Jews’ harp, Chordophones, Lamella phone, Ughubu Ghord Bow, are some of the noted instruments of the African Music used the most in compositions made.
Among the vast array of non-melodic, rhythmic idiophones, the most common and widespread are probably rattles, sounded by shaking. One type, the sistrum, which has small metal disks loosely suspended on rods, is important in the Coptic and Ethiopian churches and is also used in Guinea. More widespread are hollow rattles, consisting of a gourd enveloped in a net of shells or beads or of a container such as a calabash with seeds or pebbles inside. Besides handheld varieties, there are many other kinds of rattles, often strung on cords, which may be attached to the limbs or other parts of the body and shaken while dancing or playing another instrument, or which may be fastened onto another instrument, such as the lamellaphone, to serve as a supplementary jingling device. In Zimbabwe, bottle tops, instead of the traditional snail shells, serve this purpose on the likembe Dza vadzimu of the Shona.
Struck and concussion-sounded idiophones are found everywhere. These include stone clappers and multiple rock gongs (in Nigeria); wooden clappers and percussion beams; and implements such as hoe blades, weapons, and shields (in fact, all kinds of domestic items serve as temporary idiophones when required). Further examples are metal or wooden bells, either with internal pellets or clappers or externally struck; inverted half calabashes; bottles; and clay pots, partially water-filled, which in West Africa are struck with fanlike beaters. Stamping sticks are also used in West and Central Africa, as are stamping tubes made from bamboo or from long, open-ended gourds. In Ghana and Nigeria, the latter is used for accompanying certain women’s songs.
Scraped and friction idiophones are quite widely distributed, the most common form being a notched stick or piece of bamboo that is scraped by another stick.
African music is a very strong source of not just music creation, but also of representation of cultural strength and availability. Cultures die if they are not kept alive and streamlined with their aspects and pros and cons.
Keeping cultures alive is very important to have your identity safe for the upcoming generations. Africans transfer their cultural aspects to their generations and generations. The lives of African people is never complete without the instance of music in their lives.
African music is a vital part of everyday life in Africa. It is a part of religious ceremonies, festivals, and social rituals. Songs are used for important events in a person’s life (birth, coming of age, marriage, and death). They are used for curing the sick, bringing rain, and religious dances. Music played in Africa is something of great importance and versatility too. For Africans, music is par a delicacy, an important thing and most importantly they believe many associated religious believes associated with the music. Music is widely considered as a strong connection with their Gods and also it is played well to get their attention. African people like to play or listen to music most of the time as it has a vital role in their lives.